this foreign ocean bathtub

Night Of Battle

Sun, 29 May 2011 01:11:43 -0700

Europe: 1944
as regarded from a great distance

Impersonal the aim
Where giant movements tend;
Each man appears the same;
Friend vanishes from friend.

In the long path of lead
That changes place like light
No shape of hand or head
Means anything tonight.

Only the common will
For which explosion spoke;
And stiff on field and hill
The dark blood of the folk.
(sent by mobile)

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heartlines

Mon, 03 Jan 2011 19:46:09 -0800

Listen to your heart, this new man tells me. We are in a bar

with red velvet curtains for walls, sashes of conversation

draped under music. He pours rum and then Coke over ice,

which rattles like elegant gravel. When I listen to my heart,

I hear tires crunching on a dirt road years out of this city:

thrum-pulse of wood slats on the high-water bridge. I swam

after angel fish in that shallow creek, and though I'm sure

now they were trout, or less, I remember their fins' flirtatious

silver. Why is it that blood, which is most of our bodies,

disappears when we strike it with light? If I could, I'd spend

this night in my own heart, hear its off-metronome gurgle,

flowing and falling of darkness. I'd string bright lure, open

and fill the locks. In there, my father's fibrillated beat,

my mother's paling blood. In the red-lit elevator, he jokes

clever-drunkenly of Dante, though next day, riding down

nine floors of silence, I do not think of hell,

but of a heart--- awkwardly standing in a single chamber

as the cables lower us into our outside skins. I never see

this man again: a classical pianist stockbroker who promised

to seduce me with music. I remember these notes

like the seventy-five counties of a state I seldom visit, useless

even when I learned them as a child, unforgettably, by heart.

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color theory

Mon, 03 Jan 2011 19:03:00 -0800

The Home Depot salesman says, "Remember, you won't

have to live with your choice: You'll have to live

inside it." I imagine each gradation --- unpacking

frying pans and toothbrush; paperbacks strewn

inside Plum Wine, Arctic Lilac, Chiasmic Violet.

On the glossy card they've chained beside the racks

of color, I learn that purple promotes drowsiness and nausea:

not recommended for kitchens or the pilothouse

of boats. Yellow, while energizing, can make one irritable,

unable to blink naturally, too anxious to swallow. Which shade

is it that makes one likely to remember turns

from years-ago samba classes, make perfect hollandaise,

sing like Bernadette Peters? Which color will help me find

my mother's citrine ring (borrowed and lost

in seventh grade) or remember the name of the Australian

band that sang "A Girl," or find the hotel where Klimt awoke

in a light sweat after dreaming The Kiss?

If I paint the living room First Green and the office

Eggshell and Mist, what primordial creatures will hatch

from the doorway clouds, what storm fronts

sweep my bookcases empty? Will my insurance refuse

payment for accidents resulting from color--- the Supernova Blue

that caused me to fly kites from second-floor

windows or the Miami Sunburst trimmed with Japonica

that enticed me to juggle butcher knives and pomegranates?

To make things simple, I'd like one color

that will make me want to sing, cry, fuck, write letters

to strangers, wear fishnet stockings, buy irises, walk barefoot,

listen to Coltrane, move out, stay forever,

have children, and understand winter. One can, well stirred.

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mistaken for muslim

Wed, 06 Oct 2010 09:13:00 -0700

Using the music video format as a subversive tool of engagement and collaboration, artist Anida Yoeu Ali and filmmaker Masahiro Sugano, worked with over 100 diverse volunteers, participants and community members in the Chicagoland area. In their film, narratives collide with music, poetry and politics to create a complex and layered experience. Central to the video is an unapologetic poem, a response to injustices directed against the Muslim community that reflect both the absurdity and dangers of racially-motivated fears. "1700%" refers to the rate of increase in hate crimes committed against people perceived as Muslim or Arab after 9/11.

The video is one facet of a larger ongoing project titled "1700% Project" utilizing art as a form of strategic intervention to present works that challenge monolithic stereotypes of Muslims. (visit 1700% Project)

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how to be alone

Sun, 22 Aug 2010 23:15:45 -0700

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coming up

Sun, 22 Aug 2010 23:05:00 -0700

very calm, alliteration assonance and style, terrific ending.

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united fruit co.

Thu, 19 Aug 2010 09:41:45 -0700

La United Fruit Co.

When the trumpet blared everything on earth was prepared
and Jehovah distributed the world
to Coca-Cola Inc., Anaconda, Ford Motors, and other entities;
United Fruit Inc.
reserved for itself the juiciest,
the central seaboard of my land,
America's sweet waist.
It rebaptized its lands
the "Banana Republics,"
and upon the slumbering corpses,
upon the restless heroes
who conquered renown,
freedom, and flags,
it established the comic opera:
it alienated self-destiny,
regaled Caesar's crowns,
unsheathed envy, drew
the dictatorship of flies:
Trujillo flies, Tacho flies,
Carías flies, Martínez flies,
Ubico flies, flies soaked
in humble blood and jam,
drunk flies that drone
over the common graves,
circus flies, clever flies
versed in tyranny.

Among the bloodthirsty flies
the Fruit Co. disembarks,
ravaging coffee and fruits
for its ships that spirit away
our submerged lands' treasures
like serving trays.

Meanwhile, in the seaports'
sugary abysses,
Indians collapsed, buried
in the morning mist:
a body rolls down, a nameless
thing, a fallen number,
a bunch of lifeless fruit
dumped in the rubbish heap.

(translator: Jack Schmitt)

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sonnet XIX

Tue, 29 Jun 2010 09:48:19 -0700

19.
(on his blindness)

When I consider how my light is spent,
Ere half my days in this dark world and wide,
And that one talent which is death to hide
Lodged with me useless, though my soul more bent
To serve therewith my Maker, and present
My true account, lest He returning chide,
'Doth God exact day-labour, light denied?'
I fondly ask. But patience, to prevent
That murmur, soon replies, 'God doth not need
Either man's work or his own gifts. Who best
Bear his mild yoke, they serve him best. His state
Is kingly: thousands at his bidding speed,
And post o'er land and ocean without rest;
They also serve who only stand and wait.'

(via)

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sonnet CXXIII

Tue, 29 Jun 2010 09:45:37 -0700

123.

No, Time, thou shalt not boast that I do change:
Thy pyramids built up with newer might
To me are nothing novel, nothing strange;
They are but dressings of a former sight.
Our dates are brief, and therefore we admire
What thou dost foist upon us that is old,
And rather make them born to our desire
Than think that we before have heard them told.
Thy registers and thee I both defy,
Not wondering at the present nor the past,
For thy records and what we see doth lie,
Made more or less by thy continual haste.
This I do vow and this shall ever be;
I will be true, despite thy scythe and thee.

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sonnet XXII

Tue, 29 Jun 2010 09:43:13 -0700

22.

Cyriac, this three years' day these eyes, though clear,
To outward view, of blemish or of spot,
Bereft of light, their seeing have forgot;
Nor to their idle orbs doth sight appear
Of sun, or moon, or star, throughout the year,
Or man, or woman. Yet I argue not
Against Heav'n's hand or will, nor bate a jot
Of heart or hope; but still bear up and steer
Right onward. What supports me, dost thou ask?
The conscience, Friend, t' have lost them overplied
In liberty's defence, my noble task,
Of which all Europe rings from side to side.
This thought might lead me through the world's vain mask
Content, though blind, had I no better guide.

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sonnet CXXX

Tue, 29 Jun 2010 09:40:01 -0700

130.

My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red ;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground:
And yet, by heaven, I think my love as rare
As any she belied with false compare.

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sonnet CXXXVIII

Tue, 29 Jun 2010 09:37:22 -0700

When my love swears that she is made of truth,
I do believe her, though I know she lies,
That she might think me some untutored youth,
Unlearnèd in the world’s false subtleties.
Thus vainly thinking that she thinks me young,
Although she knows my days are past the best,
Simply I credit her false-speaking tongue:
On both sides thus is simple truth suppressed.
But wherefore says she not she is unjust?
And wherefore say not I that I am old?
Oh, love’s best habit is in seeming trust,
And age in love loves not to have years told.
Therefore I lie with her and she with me,
And in our faults by lies we flattered be.

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ode to my socks

Mon, 31 May 2010 23:20:26 -0700

Mara Mori brought me
a pair of socks
which she knitted herself
with her sheepherder's hands,
two socks as soft as rabbits.
I slipped my feet into them
as if they were two cases
knitted with threads of twilight and goatskin,
Violent socks,
my feet were two fish made of wool,
two long sharks
sea blue, shot through
by one golden thread,
two immense blackbirds,
two cannons,
my feet were honored in this way
by these heavenly socks.
They were so handsome for the first time
my feet seemed to me unacceptable
like two decrepit firemen,
firemen unworthy of that woven fire,
of those glowing socks.

Nevertheless, I resisted the sharp temptation
to save them somewhere as schoolboys
keep fireflies,
as learned men collect
sacred texts,
I resisted the mad impulse to put them
in a golden cage and each day give them
birdseed and pieces of pink melon.
Like explorers in the jungle
who hand over the very rare green deer
to the spit and eat it with remorse,
I stretched out my feet and pulled on
the magnificent socks and then my shoes.

The moral of my ode is this:
beauty is twice beauty
and what is good is doubly good
when it is a matter of two socks
made of wool in winter.

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pretty

Tue, 11 May 2010 02:43:49 -0700

Kate Makkai, a veteran poetry slammer, defining the word "pretty".

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eating poetry

Wed, 14 Apr 2010 09:41:36 -0700

Ink runs from the corners of my mouth.
There is no happiness like mine.
I have been eating poetry.

The librarian does not believe what she sees.
Her eyes are sad
and she walks with her hands in her dress.

The poems are gone.
The light is dim.
The dogs are on the basement stairs and coming up.

Their eyeballs roll,
their blond legs burn like brush.
The poor librarian begins to stamp her feet and weep.

She does not understand.
When I get on my knees and lick her hand,
she screams.

I am a new man.
I snarl at her and bark.
I romp with joy in the bookish dark.

---

(thanks)

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the horses

Tue, 09 Mar 2010 09:35:00 -0800

(I found this such an intense poem)

Barely a twelvemonth after
The seven days war that put the world to sleep,
Late in the evening the strange horses came.
By then we had made our covenant with silence,
But in the first few days it was so still
We listened to our breathing and were afraid.
On the second day
The radios failed; we turned the knobs; no answer.
On the third day a warship passed us, heading north,
Dead bodies piled on the deck. On the sixth day
A plane plunged over us into the sea. Thereafter
Nothing. The radios dumb;
And still they stand in corners of our kitchens,
And stand, perhaps, turned on, in a million rooms
All over the world. But now if they should speak,
If on a sudden they should speak again,
If on the stroke of noon a voice should speak,
We would not listn, we would not let it bring
That old bad world that swallowed its children quick
At one great gulp. We would not have it again.
Sometimes we think of the nations lying asleep,
Curled blindly in impenetrable sorrow,
And then the thought confounds us with its strangeness.
The tractors lie about our fields; at evening
They look like dank sea-monsters couched and waiting.
We leave them where they are and let them rust:
"They'll molder away and be like other loam."
We make our oxen drag our rusty plows,
Long laid aside. We have gone back
Far past our fathers' land.
And then, that evening
Late in the summer the strange horses came.
We heard a distant tapping on the road,
A deepening drumming; it stopped, went on again
And at the corner changed to hollow thunder.
We saw the heads
Like a wild wave charging and were afraid.
We had sold our horses in our fathers' time
To buy new tractors. Now they were strange to us
As fabulous steeds set on an ancient shield.
Or illustrations in a book of knights.
We did not dare go near them. Yet they waited,
Stubborn and shy, as if they had been sent
By an old command to find our whereabouts
And that long-lost archaic companionship.
In the first moment we had never a thought
That they were creatures to be owned and used.
Among them were some half a dozen colts
Dropped in some wilderness of the broken world,
Yet new as if they had come from their own Eden.
Since then they have pulled our plows and borne our loads,
But that free servitude still can pierce our hearts.
Our life is changed; their coming our beginning.

(via)

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textbook statistics

Sun, 07 Mar 2010 06:53:00 -0800

On average, 5 people are born every second and 1.78 die.
So we’re ahead by 3.22, which is good, I think.

The average person will spend two weeks in his life
waiting for the traffic light to change.

Pubescent girls wait two to four years
for the tender lumps under their nipples to grow.

So the average adult has over 1,460 dreams a year,
laughs 15 times a day. Children, 385 more times.

So the average male adult mates 2,580 times with five different people
but falls in love only twice in his life—possibly

with the same person. Seventy-nine long years for each of us,
awakened to love in our twenties, so more or less

thirty years to love our two lovers each. And if, in a lifetime,
one walks a total of 13,640 miles by increments,

Where are you headed, traveler?
is a valid philosophical question to pose to a man, I think, along with

Why does the blood in your veins travel endlessly?
on account of those red cells flowing night and day

through the traffic of the blood vessels, which if laid out
in a straight line would be over 90,000 miles long.

The great Nile River in Egypt is 4,180 miles long.
The great circle of the earth’s equator is 24,903 miles.

Dividing this green earth among all of us
gives a hundred square feet of living space to each,

but our brains take only one square foot of it,
along with the 29 bones of the skull, so

if you look outside your window with your mind only,
why do you hear the housefly hum middle octave, key of F?

If you listen to the cat on the rug by the fire with
the 32 muscles in your ear, you will hear

100 different vocal sounds. Listen to the dog
wishing for your love: 10 different sounds.

If you think loneliness is beyond calculation,
think of the mole digging a tunnel underground

ninety-eight miles long to China
in one single night. If you think beauty escapes you

or your entire genealogical tree, consider the slug
with its four uneven noses, or the chameleon shifting colors

under an arbitrary light. Think of the deepest point
in the deepest ocean, the Marianas Trench in the Pacific,

do you think anyone’s sadness can be deeper? In 1681,
the last dodo bird died. In the 16th century,

Queen Elizabeth suffered from a fear of roses.
Anne Boleyn had six fingers. People fall in love

twice. The human heart beats 3 billion times — only — in a lifetime.
If you attempt to count all the stars in the galaxy, one

every second, it’ll take 3 thousand years, if you’re lucky.
As owls are the only birds that can see the color blue

the ocean is bluish, along with the sky and the eyes
of that boy who died alone by that little unnamed river

in your dreams one blue night of the war
of one of your lives. (Do you remember which one?)

Duration of World War 1: four years, 3 months, 14 days.
Duration of an equatorial sunset: 128 seconds, 142 tops.

A neuron’s impulse takes 1/1000 of a second,
a morning’s commute from Prospect Expressway

to the Brooklyn Bridge, about 90 minutes,
forty-five without traffic.

Time it takes for a flower to wilt after it’s cut from the stem: five days.
Time left our sun before it runs out of light: five billion years.

Hence the number of happy citizens under the red glow
of that sun: maybe 50% of us, 50% on good days, tops.

Number who are sad: maybe 70% on the good days—
especially on the food days. (The first emotion’s more intense, I think,

when caught up with the second.) So children grow faster in the summer,
their bright blue bodies expanding. The ocean, after all, is blue

which is why the sky now outside your window is bluish
expanding with the white of something beautiful, like clouds.

Fact: The world is a beautiful place—once in a while.
Another fact: We fall in love twice. Maybe more, if we’re lucky.

(via)

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why a man cannot have wings

Sun, 07 Mar 2010 06:52:00 -0800

Because he will crash land on his head, assuming it to be
The strongest part of his body.

Because someone will put up a sign that reads:
Do Not Step on the Cirrus Clouds.

Because it does not even take a man hundreds of feet above
Sea-level to learn contempt.

Because there will be new categories of handicaps: bow-wings,
Ostrich disease, scaly feathers, carousel flight syndrome,
Or at a freak show: The Amazing Wingless Wonder.

Because he will have a new weapon, gravity,
And everything he releases becomes a missile,
Even glass marbles, books, the fatal music box.

Because he is lonely enough without being able to
Frame the house he lives in between his forefinger and thumb.

Because then the sky will shed its metaphors of freedom
And become another path for him to carry his burdens.

Because there will be a popular form of suicide:
Flying into foreign airspace and being gunned down;
All it takes is a nose-tip to press an invisible blue button.

Because each death in mid-air, each comic comet plunge,
Will be another enactment of the fall of Man.

Because in concentration camps people will break wings
And use the feathers for quills to write sonnets
And pillow stuffing for innocent dreams.

Because he will have less to fantasize about, less of miracles
And the word ‘levitation’ will not exist.

Because there will be children who will empty their bladders
Under cloud cover in an attempt to make yellow snow.

And because he might get the wrong notion that he is closer
To heaven, when he has not even come to a mile
Within the presence of angels, despite the resemblance.

(via)

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bitch

Mon, 15 Feb 2010 08:58:00 -0800

Now, when he and I meet, after all these years,
I say to the bitch inside me, don’t start growling.
He isn’t a trespasser anymore,
Just an old acquaintance tipping his hat.
My voice says, “Nice to see you,”
As the bitch starts to bark hysterically.
He isn’t an enemy now,
Where are your manners, I say, as I say,
“How are the children? They must be growing up.”
At a kind word from him, a look like the old days,
The bitch changes her tone; she begins to whimper.
She wants to snuggle up to him, to cringe.
Down, girl! Keep your distance
Or I’ll give you a taste of the choke-chain.
“Fine, I’m just fine,” I tell him.
She slobbers and grovels.
After all, I am her mistress. She is basically loyal.
It’s just that she remembers how she came running
Each evening, when she heard his step;
How she lay at his feet and looked up adoringly
Though he was absorbed in his paper;
Or, bored with her devotion, ordered her to the kitchen
Until he was ready to play.
But the small careless kindnesses
When he’d had a good day, or a couple of drinks,
Come back to her now, seem more important
Than the casual cruelties, the ultimate dismissal.
“It’s nice to know you are doing so well,” I say.
He couldn’t have taken you with him;
You were too demonstrative, too clumsy,
Not like the well-groomed pets of his new friends.
“Give my regards to your wife,” I say. You gag
As I drag you off by the scruff,
Saying, “Goodbye! Goodbye! Nice to have seen you again.”

- 1984

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why I take good care of my macintosh

Mon, 25 Jan 2010 11:46:00 -0800

Because it broods under its hood like a perched falcon,
Because it jumps like a skittish horse and sometimes throws me,
Because it is poky when cold,
Because plastic is a sad, strong material that is charming to rodents,
Because it is flighty,
Because my mind flies into it through my fingers,
Because it leaps forward and backward, is an endless sniffer and searcher,
Because its keys click like hail on a boulder,
And it winks when it goes out,
And puts word-heaps in hoards for me, dozens of pockets of gold under boulders in streambeds, identical seedpods strong on a vine, or it stores bins of bolts;
And I lose them and find them,
Because whole worlds of writing can be boldly laid out and then highlighted and vanish in a flash at “delete,” so it teaches of impermanence and pain;
And because my computer and me are both brief in this world, both foolish, and we have earthly fates,
Because I have let it move in with me right inside the tent,
And it goes with me out every morning;
We fill up our baskets, get back home,
Feel rich, relax, I throw it a scrap and it hums.

(source)

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